by muse group
ARLAYER

ARLAYER

A three-layer spectral separator that splits audio into tone, transients, and air, with independent level control for each.

PEN 22.90
Platforms
macOSWindows
Release Date

ARLAYER separates audio into three complementary layers, each with its own fader. TONE captures steady material such as body, vowels, and sustain. HIT isolates transient content such as picks, sticks, and consonants. AIR contains the remaining detail, including breath, room, cymbal wash, and anything not clearly assigned to the other two layers. Rather than estimating AIR separately, ARLAYER defines it as the input minus TONE and HIT. This keeps ambiguous material accessible instead of hiding separation errors behind the processing. SPLIT controls how confidently frequencies must belong to TONE or HIT before they are assigned, with uncertain content collected in AIR as the setting increases. At unity, all three layers recombine to reproduce the original input bit for bit. Each layer can also be soloed independently for detailed editing and monitoring. The separation uses a fixed 4096-sample latency that remains identical at every SPLIT setting.

What ARLAYER offers

Three Independent Layers: Separate TONE, HIT, and AIR with individual level controls for steady, transient, and residual content
Bit-Exact Unity: With all three layers at 0 dB, the combined output is bit-identical to the original input
Complementary Separation: TONE, HIT, and AIR recombine to the source with a measured residual of −154 dB
Focused Layer Detection: Testing places 99.3% of a pure tone in TONE, 93.8% of a click train in HIT, and 99.9% of white noise in AIR
Adjustable SPLIT Control: Determine how confidently content is assigned to TONE or HIT, with ambiguous material retained in AIR
Fixed-Latency Workflow: 4096-sample latency remains constant at every setting, with per-layer solo, 15 presets, A/B comparison, and full undo

What’s new

  • First Release.
1.0.0

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