East Asia Reviews
Janggu (Samul): 쿵/콩 are far too loud and bass-heavy. They should have distinguishable pitches, with 쿵 louder and more resonant than 콩. 따 is acceptable, but the dynamic balance needs improvement. Kkwaenggwari sounds authentic. It has dark, metallic and low-pitched. Please add more sound sources/pitch variation and the muted technique 깻/뜻. Buk (Samulnori) is inaccurate: it sounds too high and sharp. It should be deep, low and resonant, almost cloud-like. Jing is decent, but needs a natural acoustic pitch bend: slightly downward after the strike, then gradually rising rather than remaining straight.
As a Korean, I'd like to my gratitude for Muse Group for adding traditional Korean instruments in Musescore. Now it's possible to deal with Gugak on MuseScore. That makes me very helpful. And the soundfont of the most of Korean instruments are fine, but there are some errors in the soundfonts. It contains all Samulnori instruments, but Soundfont of Samul Buk is very wrong. The Pitch of Samul Buk is too high. Samul Buk sounds so low and deep that Samul Buk means cloud in Samulnori. And the tone of Jing is appropriate but its volume is too quiet. Sound of Kkwaenggwari is not problematic. But Janggu is too loud. And I hope you to add some more instruments like Haegeum somedays if you are possible.
I really like how the shamisen sounds, but whenever you select a dynamic marking of mf or above, the volume suddenly drops extremely low, alternating with the dynamic you selected.