Kiln Synthesizer
Build the patch, or start from a sound.
Plinth Subharmonic Synthesizer
A subharmonic synthesizer that shows its work: a filtered mono detector finds the fundamentals that are actually in your source, up to three voices generate a sub one octave below each one, phase-locked to it, and the screen draws both. Blend is a volume sum, the sub is mono and dead center, and there is no compressor, ducker or auto-makeup anywhere in the box.
The subharmonic synthesizer that shows its work.
-30%
Plinth Subharmonic Synthesizer
A subharmonic synthesizer that shows its work: a filtered mono detector finds the fundamentals that are actually in your source, up to three voices generate a sub one octave below each one, phase-locked to it, and the screen draws both. Blend is a volume sum, the sub is mono and dead center, and there is no compressor, ducker or auto-makeup anywhere in the box.
The subharmonic synthesizer that shows its work.
-30%
Previews
Plinth interface tour
Plinth Subharmonic Synthesizer adds weight to your low end by listening to the bass notes in your track and generating a tone one octave below, locked in phase so the two line up. Set the DETECT line, 100 to 500 Hz, to say how high Plinth listens, or turn on ENGAGE and pin a note by hand with OVERRIDE. It generates up to three sub voices on one mono bus, dead center, safe for clubs, vinyl and mono playback. Add RESONANCE for a tuned bloom, then use BLEND to sum the sub into your untouched dry signal, soften peaks with the optional CLIP and trim with OUTPUT. SOLO plays only the sub Plinth added. The screen marks the notes it found and draws the sub it made as the brightest curve, so the low end stops being guesswork. The detector listens on its own path, so your dry signal is never processed, and on unpitched material like noise it stays silent. No compressor or ducker reshapes the groove underneath. With 32 factory starting points named for sources like 808, Bass DI and Mix Bus, and zero reported latency, Plinth gives you sub weight you can see and check.
What Plinth Subharmonic Synthesizer offers
Up to three generated subharmonic voices on one mono bus, dead center by construction
Phase-locked to the source: plus or minus 0.000 degrees of drift over 60 seconds at 80 Hz
Blend to 100 puts the sub at level with the dry low band by volume, not by compression
Unpitched material renders exact digital silence on the sub bus: no burble, no guessing
The display shows the fundamentals it found and the sub it made, live, with Hz readouts
Zero reported latency, the optional first-order ADAA soft clip stage included
What’s new
- Initial release on MuseHub
0.2.0
