SUPER WIDE

Most stereo wideners have a problem nobody talks about: you trade punch for size. You crank the width, it sounds massive in your room, and then half the track disappears the second it hits a mono club system or a phone. The attacks smear, the bass hollows out, and your mix falls apart. Great work everyone. Super Wide was built so you don't have to overthink any of that. The low end is automatically locked to dead-center mono. No menus, no routing, it just happens. Your kick and bass stay anchored while you stretch the sides out to 200%. Instead of doing technical math, you just dial in the feel. Add micro-pitch drift to make a lifeless mono synth feel genuinely wide, spread frequencies for natural depth, or glue the core while adding tape texture to the edges. You can even decide whether your transients hit dead-center for tight punch, or burst wide for washy energy. Throw it on a synth bus, room mics, or anything that needs to sound wider than the speakers.