Iron Summing

Insert Iron on each track as a Channel and switch one instance on your master to Bus. Instances in the same group find each other and form one console, and every window shows the whole group as live lanes. From the Bus you can ride any Channel's trim, solo across the group, and scale every track's color at once with ALL SATURATION while each track keeps its balance. On a Channel, TONE blends console color in beside the direct sound, which stays untouched. Like a transformer core, it saturates the lows before the highs, mostly with even harmonics at normal levels and with odd harmonics joining as you push harder. COMP adds gentle 1.5:1 compression ahead of the saturation, never more than 6 dB, and each Channel gets one of 32 fixed console voicings that stay saved with the session. The Bus processes the real mix your DAW sends it. Its console EQ has four wide curves for lows, low mids, high mids and air. PUSH is glue compression that never takes more than 3 dB, with a slow attack that lets each hit through, and FLOOD flips it into upward expansion so a loud chorus blooms up. WIDTH widens the sides above 130 Hz and leaves the low end mono, and SPACE adds warmth from the lows and presence from the highs. Audio never passes between instances: each Channel processes its own track and they share control data, so Iron adds zero latency everywhere. Groups 1 to 8 let a drum-bus console and a mix-bus console run side by side, and nine Bus presets, including Clean Console Off for on and off comparisons, get you started. AU, VST3 and AAX on macOS; VST3 and AAX on Windows. Installs and updates through MuseHub, with no license key. Requires macOS 10.15 or later on Intel or macOS 11 or later on Apple silicon, or Windows 10 or later, 64-bit.