Bass parts are good for “explosion like” sound. However, other instruments virtually have no vibrato making them sound like a ‘metallic-organ-robot’. I hope an update will fix this.
Bass parts are good for “explosion like” sound. However, other instruments virtually have no vibrato making them sound like a ‘metallic-organ-robot’. I hope an update will fix this.
I also use the Berlin Brass and Muse Brass but Vienna provides a nice alrernative in terms of its timbre and sonics. Nicely done!
its very jittery and broken, you should get other ones like berlin brass instead.
I previously installed and tested both Berlin and Cinesamples Brass plugins here, in MuseHub. This was early, last year (2024, near January or Feb. I think). My experiences with those plugins was atrocious, unfortunately. I remember thinking "If I'm going to pay for a plugin, It should be better than the Free version, not worse and harder to work with...". While the tonality of the sounds themselves were great, it was the interaction between them and MS studio. Pitching during sustained notation, off-rhythm articulation, incorrect articulation, and very poor balancing. I'm not sure where those samples are at today in their development, but I'd assume improved by now? At any rate, at first glance and testing with a short composition for brass quintet, the Vienna Brass sound plugin creates a hopeful overtone in me for the future of MuseHub's sound plugins. This one WORKS!!! No pitching, on-time, listens to dynamics etc... My gripes with it however are that certain articulations (mostly, notes without articulation markings, or, notes within a slurred phrase) will articulate a bit "funky". Like the attack is abrupt on some of them, in a legato section. and for some of the instruments, I noticed that, at certain pitches, an accent or marcato mark will not emphasize the attack, and at other pitches, the emphasis is WAY overpowering, to the point that the instrument will "PAH" rather than "Tah" the note, resulting in the "blat" sound brass instruments make when playing overly forcefully. Lastly, the French Horns, all of them, are very very quiet. It's difficult to pick it out when listening to playback. A work around was to use MuseFX Compressor, Pop Vocals, ~40% gain. +Mixer Gain set to +3.0, and it was able to be balanced with the others well enough. Overall, if I could rate it out of 10, I'd give it a 5/10 in its current state. It's functional, but still has some work under the hood that's necessary to make it great enough to be a 10/10 :)