Halo Reverb

Each space is its own reverb design, from a tight room with strong early reflections to a vast, dark cathedral, plus NONLIN for gated and reverse tails and HALO, which feeds a pitch-shifted copy of the tail back into itself for anything from tuned air to a climbing shimmer. Switching spaces while audio plays crossfades the tail. The display draws the wet tail as light across frequency, with the decay contour on top. Six dots cover fixed regions from the lows to the air, and each one sets how long its region rings compared with DECAY, from a quarter to four times as long. Pull the low dots down to keep the low end tight, or the high ones to darken the tail. DECAY itself runs from 0.1 to 60 seconds. DUCK turns the reverb down while the dry signal plays and lets it swell back in the gaps. Filters and tone shelves on the wet path shape the reverb without touching the dry sound, PREDELAY runs to 500 ms or locks to your session tempo, and FREEZE holds the tail while you play over it. The MODERN, CLASSIC and VINTAGE eras go from a clean, open tail to a darker one with less regular movement. Halo adds no latency, so it works while tracking. WIDTH stays mono-compatible at every setting, LOCK keeps your mix setting when you browse presets on a send, and A/B slots make comparisons quick. 43 factory presets in six banks cover vocals, drums, guitars, keys and synths, the mix bus and sound design, and you can save your own. AU, VST3 and AAX on macOS; VST3 and AAX on Windows. Installs and updates through MuseHub, with no license key. Requires macOS 10.15 or later on Intel or macOS 11 or later on Apple silicon, or Windows 10 or later, 64-bit.